The splendor of French Baroque music comes to the Blackfriars Playhouse, in a thrilling and moving
program of orchestral, chamber and vocal music. |
| Charpentier |
 |
Overture to Medée |
| Lully |
|
"Recit de Orphée" from Orphée |
| Dieupart |
|
Allemande in d, for recorder and continuo |
| Rameau |
|
La Forqueray, for violin, cello, and harpsichord |
| Rameau |
|
La Cupis, for flute, oboe, and harpsichord |
| D’Anglebert |
|
Prelude in g, for harpsichord |
| Lully/D’Anglebert |
|
Passacaille from Armide, improvised for three harpsichords |
| Boismortier |
|
Adagio and Allegro from Sonata in e for flute, oboe, violin, and continuo |
| Leclair |
|
Two movements from Sonata for two violins |
| Rameau |
|
"Tendre l’amour," from Les Indes Galantes |
| Marais |
|
"La Tempête," from Alcione |
intermission
| Rebel |
|
"Chaos," from Les Elemens |
| Rameau |
|
"Entrée de Polymnie," from Les Boreades |
| D’Anglebert |
|
Tombeau de Mr. Chambonnieres, for two harpsichords |
| Charpentier |
|
Prelude to Te Deum |
| Couperin |
|
Allemande in A, for two harpsichords |
| Couperin |
|
Selections from Concert No.8 |
| Rameau |
|
"Dances de Sauvages," from Les Indes Galantes |
|
